Elvis Presley - Crying In The Chapel

First performance: 02/04/2011


Coverinfo

Bruce covered the song only once:
 
 
2011-04-02 Wonder Bar, Asbury Park, NJ 
 
In town for a panel discussion on the soul, rhythm & blues and the history of race and music in Asbury Park, Bruce joins Southside Johnny, Vini Lopez, Bobby Thomas, Billy Ryan, Ed Manion and others on stage at the Wonder Bar. The event is part of a special concert titled "Nicky Addeo and Friends celebrate the Music of Asbury Park's Westside". Springsteen provides backing guitar and vocals for most of the tracks, and takes the lead for "C.C. Rider", Don & Juan's "What's Your Name" and the second verse of "Stand By Me".
 
 
 
 
 

Songinfo

"Crying in the Chapel" is a song written by Artie Glenn for his son Darrell to sing. Darrell recorded it while still in high school in 1953, along with Artie's band the Rhythm Riders. The song was rejected by Hill and RangeSongs and Acuff-Rose Music. The song was eventually published by Valley Publishers which also released the single featuring Darrell Glenn. It became a local hit and then it went nationwide. The original version of the song (Valley 105) was issued in May 1953. The song became one of the most covered of 1953.  In October 31, 1960, Elvis Presley cut a version of the song with plans to put it on his RCA gospel album, His Hand in Mine. Three takes were recorded, but neither Elvis nor The Jordanaires, who provided background vocals, were satisfied. Eventually it was decided to shelve the recordings and move on. On April 6, 1965, "Crying In the Chapel" was issued on RCA's "Gold Standard Series." It became Elvis' first million seller since Return to Sender in 1962 and his greatest chart success over a six-year span.
 
 
 
 
 

Bruce on the artist

Whenever he could, Bruce would mention the enormous influence, Elvis had on him and on his music. Elvis is the most covered artist by Bruce (23 times) together with Chuck Berry, Pete Seeger, Bob Dylan. The Influence of Elvis on Bruce, is described in a documentary compiled from previously existing footage by Dennis P. Laverty, a former Old Bridge resident who now lives in Staten Island (and who calls Springsteen and Elvis Presley "my two favorite rock stars". He used concert footage and previously released interview segments with Springsteen and various rock experts to show just how important Elvis Presley was to Springsteen.
 
 
 
 
"It's a cliché story, but watching Elvis Presley on The Ed Sullivan Show changed Bruce Springsteen's entire life. "It was the evening I realized a white man could make magic," he said in 2012, "that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self." He urged his mother to buy him a guitar after that, and in 1976 he went to Graceland after a Memphis show and even hopped the fence in a failed effort to meet the King himself. Elvis died during the recording of Darkness on the Edge of Town, right as Springsteen was hoping the King would cover his new song "Fire." Springsteen channeled his sorrow into "Come On (Let's Go Tonight)," which later morphed into "Factory."
 
 
"In the beginning, every musician has their genesis moment. For you, it might have been the Sex Pistols, or Madonna, or Public Enemy. It's whatever initially inspires you to action. Mine was 1956, Elvis on the Ed Sullivan Show. It was the evening I realized a white man could make magic, that you did not have to be constrained by your upbringing, by the way you looked, or by the social context that oppressed you. You could call upon your own powers of imagination, and you could create a transformative self. A certain type of transformative self, that perhaps at any other moment in American History, might have seemed difficult, if not impossible. And I always tell my kids that they were lucky to be born in the age of reproducible technology, otherwise they'd be traveling in the back of a wagon and I'd be wearing a jester's hat. It's all about timing. The advent of television and its dissemination of visual information changed the world in the fifties the way the internet has over the past twenty years. Remember, it wasn't just the way Elvis looked, it was the way he moved that made people crazy, pissed off, driven to screaming ecstasy, and profane revulsion. That was television. When they made an attempt to censor him from the waist down, it was because of what you could see happening in his pants. Elvis was the first modern Twentieth Century man, the precursor of the Sexual Revolution, of the Civil Rights Revolution, drawn from the same Memphis as Martin Luther King, creating fundamental, outsider art that would be embraced by a mainstream popular culture. Television and Elvis gave us full access to a new language, a new form of communication, a new way of being, a new way of looking, a new way of thinking; about sex, about race, about identity, about life; a new way of being an American, a human being; and a new way of hearing music. Once Elvis came across the airwaves, once he was heard and seen in action, you could not put the genie back in the bottle. After that moment, there was yesterday, and there was today, and there was a red hot, rockabilly forging of a new tomorrow, before your very eyes."
 
Bruce also wrote a song : "I’m turning into Elvis" :
 
During the Rainforest Fund concert at 1995/04/12 Bruce played the song and used this as an intro :
 
" this is the second half of the show, gonna be a tribute to Elvis and his decade. It´s been done before and a lot prettier than we’re about to do it….but that´s ok, look at it like you’re 15 years old, you don’t know a whole lot about Elvis and your uncle gets up in the livingroom trying to explain to you what it was all about. So with that in mind I’ve written a song especially for this particular occasion. You remember the coach Tom Landry, when he was trying to explain his personal relationship that he had with God ? well, this is a song that’s sort of about my personal relationship with him….´´ [Taken from the Backstreets Magazine, issue 49.] 
  

Lyrics

You saw me crying in the chapel.
The tears I shed were tears of joy
I know the meaning of contentment
Now I am happy with the Lord

Just a plain and simple chapel
Where humble people go to pray
I pray the Lord that I'll grow stronger
As I live from day to day

I've searched and I've searched
But I couldn't find
No way on earth
To gain peace of mind

Now I'm happy in the chapel
Where people are of one accord
We gather in the chapel
Just to sing and praise the Lord

Ev'ry sinner looks for something
That will put his heart at ease
There is only one true answer
He must get down on his knees

Meet your neighbor in the chapel
Join with him in tears of joy
You'll know the meaning of contentment
Then you'll be happy with the Lord

You'll search and you'll search
But you'll never find
No way on earth
To gain peace of mind

Take your troubles to the chapel
Get down on your knees and pray
Your burdens will be lighter
And you'll surely find the way